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Dominant 7th Chords
There are 5 dominant 7th shapes in the open position. They are C7, A7, G7, E7, and D7. All other dominant 7th chords must be played with a barred version of one of these chords.
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“Crosstown Traffic” by Jimi Hendrix
Main Riff Here is the riff at 120 bpm: Guitar 1 Guitar 3 Bass Riff Resources Complete Transcription To “Crosstown Traffic ” (PDF) Complete Transcription To “Crosstown Traffic ” (Power Tab)
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Pitch
Pitch is the sound that a note makes. Not all musical instruments make notes with a clear pitch; percussion instruments are often distinguished by whether they do or do not have a particular pitch. A sound or note of definite pitch is one of which it is possible or relatively easy to discern the pitch.…
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Free Fallin’ by Tom Petty
Guitar 1 needs a capo on the 3rd fret. Other guitars are standard. Intro Verse Chorus Outro Complete Transcription In PTB Complete Transcription In PDF
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“Black Sabbath” by Black Sabbath
Difficulty: Easy – Intermediate Intro The song begins at a plodding 67 bpm. Interlude The song switches to a much faster 134 bpm here. Tab Complete Transcription To “Black Sabbath” (PDF) Complete Transcription To “Black Sabbath” (Power Tab)
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Minor 6th Arpeggios
There are 5 minor 6th arpeggio shapes.
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Major Arpeggios: Open Position
Here are five basic major arpeggio shapes you can play in the open position.
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Major Chords
The five basic chord shapes are the open C, A, G, E, and D chords. Together they spell the word CAGED which helps us remember them.
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Amending Chords
Here we’ll deal with Amending Chords and Leaving Out Notes.